Annette Hill

Hill, A. (2024). Streaming platform imaginaries: audiences and Southeast Asian streaming Continuum. Journal of Media and Cultural Studies. More information

Hill, A., Lee, J. (2022). Roamers: Audiences on the Move Across Entertainment Platforms In Southeast Asia Javnost - The Public, 29(1), 98-114. More information

Hill, A. (2021). Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence European Journal of Cultural Studies, 24(4), 801-815. More information

Hill, A., Mortensen, M., Hermes, J. (2021). Fear: Introduction to special issue European Journal of Cultural Studies, 24(4), 793-800. More information

Hill, A. (2021). Who killed Utopia? Cult conspiracy drama and a television imaginary International journal of cultural studies, 24(1), 56-71. More information

Mathijs, E., Hill, A. (2021). Fugitive cult receptions of conspiracy thriller Utopia Participations, 18(2), 318-334. More information

Hermes, J., Hill, A. (2021). Transgression in contemporary media culture International journal of cultural studies, 24(1), 3-14. More information

Dahlgren, P., Hill, A. (2020). Parameters of media engagement Media Theory, 4(1), 1-32. More information

Hermes, J., Hill, A. (2020). Television’s undoing of social distancing European Journal of Cultural Studies, 23(4), 655-661. More information

Hill, A., Askanius, T., Kondo, K., Luis Urueta, J. (2019). Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence International journal of cultural studies, 22(5), 662-677. More information

Hill, A., Askanius, T., Kondo, K. (2019). Live reality television: Care structures within the production and reception of talent shows Critical Studies in Television, 14(1), 7-21. More information

Hill, A. (2017). Reality TV Engagement: Producer and Audience Relations for Reality Talent Shows Media Industries, 4(1), 1-17. More information

Hill, A., Steemers, J., Roscoe, J., Donovan, J., Wood, D. (2017). Media Industries and Engagement: A Dialogue across Industry and Academia Media Industries, 4(1), 1-12. More information

Hill, A., Steemers, J. (2017). Special Section: Media Industries and Engagement: Introduction Media Industries, 4(1), 1-5. More information

Hill, A. (2016). Push-Pull Dynamics: Producer and Audience Practices for Television Drama Format the Bridge Television and New Media, 17(8), 754-768. More information

Hill, A., Hermes, J. (2016). Passion: Introduction to Special Issue European Journal of Cultural Studies, 19(3), 207-208. More information

Hill, A. (2015). Spectacle of excess: The passion work of professional wrestlers, fans and anti-fans European Journal of Cultural Studies, 18(2), 174-189. More information

Tsekleves, E., Whitham, R., Kondo, K., Hill, A. (2013). Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home Universal Access in the Information Society, 12(2), 217-231. More information

Hill, A. (2013). Introduction to civic cultures Television and New Media, 14(1), 3-4. More information

Tsekleves, E., Whitham, R., Kondo, K., Hill, A. (2011). Investigating media use and the television user experience in the home Entertainment Computing, 2(3), 151-161. More information

Cruickshank, L., Tsekleves, E., Whitham, R., Hill, A., Kondo, K. (2007). Making interactive TV easier to use: Interface design for a second screen approach The Design Journal, 10(3), 41-53. More information

Hill, A., Weibull, L., Nilsson, Å. (2007). Public and popular: British and Swedish audience trends in factual and reality television Cultural Trends, 16(1), 17-41. More information

Corner, J., Hill, A. (2006). Value, Form and Viewing in Current Affairs Television: Tonight with Trevor McDonald Journal of British Cinema and Television, 3(1), 34-46. More information

Hill, A. (2002). Big Brother: The Real Audience Television and New Media, 3(3), 323-340. More information

Hill, A., Palmer, G. (2002). Big Brother Television and New Media, 3(3), 251-254. More information

Hill, A. (2001). Media risks: The social amplification of risk and the media violence debate Journal of Risk Research, 4(3), 209-225. More information

Hill, A. (2000). The language of complaint Media Culture and Society, 22(2), 233-236. More information

Hill, A. (2000). Fearful and Safe: Audience Response to British Reality Programming Television and New Media, 1(2), 193-213. More information

Dahlgren, P., Hill, A. (2023). Media engagement. Abingdon: Routledge More information

Hill, A. (2019). Esperienze Mediali: Dalle serie TV al Reality. Roma: Minimum Fax More information

Hill, A. (2018). Media Experiences: Engaging with Drama and Reality Television. Abingdon: Routledge More information

Hill, A. (2015). Reality TV. Abingdon: Routledge More information

Hill, A. (2010). Paranormal media: Audiences, spirits and magic in popular culture. London: Routledge More information

Hill, A. (2007). Restyling factual TV: Audiences and news, documentary and reality genres. Abingdon: Routledge More information

Hill, A. (2005). Reality TV: audiences and popular factual television. London: Routledge More information

Gauntlett, D., Hill, A. (1999). TV living: Television, culture and everyday life. London: Routledge More information

Hill, A. (1997). Shocking entertainment: viewer response to violent movies. Luton: John Libbey Publishing More information

Hill, A. (2025). Audience engagement: Streaming factuality in the Nordic Region. In: Kate Nash & Deane Williams (Ed.), The Intellect Handbook of Documentary (pp. 423 -438). Bristol: Intellect Ltd. More information

Hill, A., Lunt, P. (2025). Introduction to Companion to Media Audiences. In: Annette Hill & Peter Lunt (Ed.), The Routledge Companion to Media Audiences (pp. 1 -15). Abingdon: Routledge More information

Hill, A., Liao, Y. (2025). Slow reality TV and Chinese audiences. In: Annette Hill & Peter Lunt (Ed.), The Routledge Companion to Media Audiences (pp. 461 -470). Abingdon: Routledge More information

Hill, A. (2025). Introduction – Audience engagement and experiences. In: Annette Hill & Peter Lunt (Ed.), The Routledge Companion to Media Audiences (pp. 283 -287). Abingdon: Routledge More information

Hill, A., Kondo, K. (2022). Entertainment mobilisation: Nordic noir fans and screen tourism. In: Ruxandra Trandafoiu (Ed.), Border Crossings and Mobilities on Screen (pp. 173 -184). More information

Hill, A. (2022). Media industries and audiences: An analytic dialogue. In: Paul McDonald (Ed.), The Routledge Companion to Media Industries (pp. 508 -517). New York: Routledge More information

Hill, A. (2022). The Act of Watching Documentary. In: Richard Lance Keeble (Ed.), It's the Media, Stupid! Essays in Honour of Brian Winston (pp. 65 -76). Suffolk: Arima Publishing More information

Hill, A. (2021). Media industries and audience research: an analytic dialogue on the value of engagement. In: Bruhn Jensen, Klaus (Ed.), A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies (pp. 368 -387). Abingdon: Routledge More information

Hill, A. (2021). Media industries and audiences: An analytic dialogue. In: The Routledge Companion to Media Industries (pp. 508 -517). London: Routledge More information

Hill, A. (2021). Transported immobility. In: A. Hill, M. Hartmann & M. Andersson (Ed.), The Routledge handbook of mobile socialities (pp. 290 -301). Abingdon: Routledge More information

Hill, A., Hartmann, M., Andersson, M. (2021). Introduction: Mobile socialities. In: A. Hill, M. Hartmann & M. Andersson (Ed.), The Routledge handbook of mobile socialities (pp. 1 -15). Abingdon: Routledge More information

Hill, A. (2020). Audiences assemble: becoming an audience and produser in mixed media environments. In: Rebecca Lind (Ed.), Produsing Theory in a Digital World 3.0: The intersection of audiences and production in contemporary theory, Volume 3 New York: Peter Lang Publishing Group More information

Hill, A. (2020). Reality TV: Performances and audiences. In: Janet Wasko & Eileen R. Meehan (Ed.), A Companion to Television (pp. 199 -219). Hoboken: John Wiley & Sons More information

Hill, A. (2020). Breakneck Brexit: Engaging with Political Storytelling in Live Professional Wrestling. In: Sharon Mazer, Heather Levi, Eero Laine & Nell Haynes (Ed.), Professional wrestling: Politics and populismMore information

Hill, A., Kondo, K. (2020). Participation in Reality Television: Enterainment Mobilisation in Dance Talent Shows. In: Erika Polson, Lynn Schofield Clark, & Radhika Gajjala (Ed.), The Routledge Companion to Media and Class (pp. 51 -62). New York: Routledge More information

Hill, A. (2019). Wrestlers, fans and power dynamics at live events. In: CarrieLynn D. Reinhard & Christopher J. Olson (Ed.), Convergent Wrestling: Participatory Culture, Transmedia Storytelling, and Intertextuality in the Squared Circle (pp. 15 -30). London: Routledge More information

Hill, A. (2019). Ambiguous audiences. In: Brian Winston (Ed.), The documentary film book (pp. 83 -88). Basingstoke: Bloomsbury Academic More information

Hill, A. (2019). Engaging with reality television. In: Shawn Shimpach (Ed.), The Routledge Companion to Global Television (pp. 163 -171). New York: Routledge More information

Hill, A. (2018). Saga’s Story: Emotional Engagement in the Production and Reception of<em> The Bridge</em>. In: Kim Toft Hansen, Steven Peacock & Sue Turnbull (Ed.), European Television Crime Drama and Beyond (pp. 269 -284). Basingstoke, Hampshire: Palgrave Macmillan More information

Hill, A. (2018). Media audiences and reception studies. In: Elena Di Giovanni & Yves Gambier (Ed.), Reception Studies and Audiovisual Translation (pp. 3 -19). More information

Hill, A. (2018). Paranormal reality television: Audience engagement with mediums and spirit communication. In: Mara Einstein, Katherine Madden & Diane Winston (Ed.), Religion and Reality TV: Faith in Late Capitalism (pp. 121 -136). London: Routledge More information

Hill, A. (2017). Reality TV Crime Programs. In: Henry Pontell (Ed.), Oxford Research Encylopedia of Criminology: Crime, Media and Popular CultureMore information

Hill, A., Turnbull, S. (2017). Nordic Noir. In: Henry N. Pontell (Ed.), Oxford Research Encyclopedia of Criminology and Criminal Justice (pp. 1 -21). More information

Hill, A. (2016). Sense of Place: Producers and Audiences of International Drama Format The Bridge. In: Karina Aveyard, Pia Majbritt Jensen & Albert Moran (Ed.), New Patterns in Global Television Formats (pp. 281 -294). Bristol, UK: Intellect Ltd. More information

Hill, A. (2015). Studying Reality TV. In: Glen Creeber, Toby Miller & John Tulloch (Ed.), The Television Genre BookMore information

Hill, A. (2015). Audience experiences and emotional economy. In: Gregory Ferrell Lowe & Charles Brown (Ed.), Managing Media Firms and Industries: What's So Special About Media Management? (pp. 277 -292). Cham: Springer More information

Hill, A. (2014). Reality TV Experiences: Audiences, Fact, and Fiction. In: Laurie Ouellette (Ed.), A Companion to Reality Television (pp. 116 -133). More information

Hill, A. (2013). Paranormal cultural practices. In: Olu Jenzen & Sally R. Munt (Ed.), The Ashgate Research Companion to Paranormal Cultures (pp. 65 -78). More information

Hill, A. (2012). Audiences in the round: Multi-method research in factual and reality television. In: Klaus Bruhn Jensen (Ed.), A Handbook of Media and Communication Research: Qualitative and quantitative methodologies (pp. 302 -317). Abingdon: Routledge More information

Hill, A. (2011). Big Formats, Small Nations. Does Size Matter?. In: Gregory Ferrell Lowe & Christian Nissen (Ed.), Small Among Giants: Television Broadcasting in Smaller Countries (pp. 203 -218). Gothenburg: Nordicom More information

Hill, A. (2011). The Audience is the Show. In: Virginia Nightingale (Ed.), The Handbook of Media Audiences (pp. 472 -488). More information

Hill, A. (2008). Documentary Modes of Engagement. In: Thomas Austen & Wilma De Jong (Ed.), Rethinking Documentary : New Perspectives, New Practices (pp. 217 -231). More information

Hill, A., Calcutt, I. (2007). Vampire Hunters: the Scheduling and Reception of Buffy the Vampire Slayer and Angel in the United Kingdom. In: Elana Levine & Lisa Parks (Ed.), Undead TV: Essays on Buffy the Vampire Slayer (pp. 43 -56). Durham: Duke University Press More information

Hill, A., Dover, C. (2007). Mapping Genres: Broadcaster and Audience Perceptions of Makeover Television. In: Dana Alice Heller (Ed.), Reading Contemporary Television (pp. 23 -38). More information

Hill, A. (2006). The Social Amplification of Risk and the Media Violence Debate. In: C. K. Weaver & C. Carter (Ed.), Critical readings: violence and the media (pp. 83 -94). Maidenhead, UK: Open University Press More information

Hill, A. (2005). Reality TV: Performance, Authenticity, and Television Audiences. In: Janet Wasko (Ed.), A companion to television (pp. 449 -467). More information

Hill, A. (2004). Watching Big Brother UK. In: Ernest Mathjis & Janet Jones (Ed.), Big Brother International: Formats, critics and publics (pp. 25 -39). London: Wallflower Press More information

Hill, A. (2004). The Idea of Learning: Young Viewers of Reality TV in the U.K. In: Cecilia von Feilitzen (Ed.), Young people, soap operas and reality TV (pp. 181 -188). Göteborg: The International Clearinghouse on Children, Youth and Media More information

Hill, A. (2002). Television Audiences and Everyday Life. In: Toby Miller (Ed.), Television Studies (pp. 135 -149). London: British Film Institute Publishing More information

Hill, A. (2001). Looks like it hurts: Women’s responses to shocking entertainment. In: Martin Barker & Julian Petley (Ed.), Ill effects: The media/violence debate (pp. 135 -149). London: Routledge More information

Hill, A. (2000). Fearful and Safe: Viewer Response to British Popular Factual Entertainment. In: J. Izod, R. Kilborn & M. Hibberd (Ed.), From Grierson to the Docu-Soap: Breaking the Boundaries (pp. 131 -144). Luton: University of Luton Press More information

Hill, A. (2000). Research Report on the BFI Audience Tracking Study. In: Sue Ralph, Tim Lees & Jo Langham Brown (Ed.), Current debates in broadcasting (pp. 35 -40). More information

Hill, A. (2000). Crime and crisis: British reality TV in action. In: Edward Buscombe (Ed.), British television: A reader (pp. 218 -234). More information

Hill, A., Thomson, K. (2000). Sex and the media: a shifting landscape. In: R. Jowell, J. Curtice, K. Thomson, L. Jarvis, C. Bromley & N. Stratford (Ed.), British social attitudes: Focusing on diversity, the 17th report (pp. 71 -99). London: Sage Publications More information

Hill, A. (2000). A social drama: Anti-violence campaign groups and media violence. In: David Berry (Ed.), Ethics and Media Culture: Practices and Representations (pp. 248 -260). Burlington: Focal Press More information

Hill, A. (1999). Risky Business: Film Violence as an Interactive Phenomenon. In: M. Stokes & R. Maltby (Ed.), Identifiying Hollywood’s Audiences: Cultural Identity and the Movies (pp. 175 -186). More information

Hill, A. (2013). Reacting to Reality Television: Performance, Audience and Value. More information

Hill, A. (2025). Data centres of convenience: the untold stories of media infrastructures. Media Atmospheres International Symposium, 2-3 May 2025, Jönköping, Sweden. More information

Hill, A. (2025). Panel 4 - Developing Eco Media Footprints. Eco Media Footprints - workshop, 16-17 January 2025, Jönköping, Sweden. More information

Hill, A. (2025). Roundtable – Eco Media Footprinting. TRAIN Annual Symposium, April 24-25, 2025, Jönköping, Sweden. More information

Hill, A. (2025). Imagining platforms. 6th International Geomedia Conference, Karlstad, Sweden, 17–19 September 2025. More information

Hill, A. (2025). Platform imaginaries. MeCCSA annual conference, Glasgow Caledonian University, UK, 4-6 September 2023. More information

Hill, A. (2024). Authenticity Index: engaging with fact frictions in documentary andreality television. Media Frictions International Symposium, 2-3 May 2024, Jönköping, Sweden. More information

Hill, A., Askanius, T., Konto, K., Luis Urueta, J. (2016). Intimate Authenticity: documentary audiences and citizen engagement with The Act of Killing and The Look of Silence. International Association for Media and Communication Research 2016, 27-31 July 2016, Leicester, United Kingdom. More information

Tsekleves, E., Whitham, R., Kondo, K., Hill, A. (2009). Bringing the television experience to other media in the home: An ethnographic study. New York: Association for Computing Machinery (ACM), 7th European Conference on European Interactive Television Conference, 3-5 June 2009, Leuven, Belgium. More information

Tsekleves, E., Cruickshank, L., Hill, A., Kondo, K., Whitham, R. (2007). Interacting with digital media at home via a second screen. Washington, DC: IEEE Computer Society, Ninth IEEE International Symposium on Multimedia Workshops (ISMW 2007), 10-12 December 2007, Taichung, Taiwan. More information

(2025). The Routledge Companion to Media Audiences. Abingdon: Routledge More information

(2021). The Routledge handbook of mobile socialities. Abingdon: Routledge More information

(2003). The Television Studies Reader. More information

Hill, A. (2007). Reality TV: Perceptions by European Viewers of a New Genre of Television Programmes. More information

Nilsson, Å., Weibull, L., Hill, A. (2005). Synen på icke-fiktion i TV: resultatredovising. Göteborg: Göteborgs universitet More information